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Seven Samurai lived up to the hype. An excellent movie. I can see its influence in a lot of places, including some favorite films of mine like The 13th Warrior. The Criterion 4K also looks great.

I’ve got Yojimbo and Sanjuro up next to continue my Kurosawa journey.

On Flow: “Everything was built around the cat’s journey of not just overcoming its fears of water or fear of others but learning how to live with these fears, and accepting them…We also have this dog character who is on this opposite journey as the #cat .”

#Caturday #film #movies #culture #cat #cats #Dogs #animals
heighho.substack.com/p/flow-zi

Heigh Ho — Work and Working Life · Flow: An Animated Masterpiece with Subtle Lessons for Leaders and TeamsBy Bob Merberg

From: blenderdumbass . org

Obviously I watched Revenge because it was directed by Coralie Fargeat, the director of current world-wide phenomenon The Substance. Even though Revenge is her directorial debut, I didn't not think it would be a bad film going into it, based on what I know about The Substance. And my expectations w...

Read: blenderdumbass.org/reviews/rev

blenderdumbass . orgRevenge ( 2017 ) is a kind of movie Nicolas Winding Refn would masturbate to

Is ‘Mickey 17’ the latest victim of the Oscars’ newest curse?

feddit.uk/post/26536548

feddit.ukIs ‘Mickey 17’ the latest victim of the Oscars’ newest curse? - Feddit UK> Filmmakers and studio executives, be warned: a long-suspected Oscars curse may in fact be real. > >Over the past 13 years, the vast majority of best director winners have followed up their wins with disastrous films that tanked at the box office or alienated viewers. These films ultimately brought the highs of a career-defining moment crashing down to the reality of the fickle and unpredictable tastes of modern audiences. > >Take a look and a pattern becomes clear: Ang Lee’s Life of Pi (2012) follow-up Billy Lynn’s Long Halftime Walk (2016) was a box office disaster. Damien Chazelle’s La La Land (2016) follow-up First Man (2018) failed to connect. Guillermo del Toro’s Nightmare Alley (2021) didn’t come close to making back its budget after The Shape of Water (2018) dazzled the Academy. Chloé Zhao followed up the gorgeous Nomadland (2020) with the would-be superhero franchise starter, Eternals (2021). That one landed with a thud. > > The heretofore suspected best director curse — seen as early as 1980 with the epic Western and studio bankrupting Heaven’s Gate, Michael Cimino’s post-The Deer Hunter dud — lurched into full view in recent weeks with Mickey 17, Bong Joon Ho’s big-budget, big-swing sci-fi bomb. > > … > > And hey, maybe the curse isn’t real and something else is happening here. Doherty suggested to THR that the best director Oscar may create a halo effect around the filmmaker, which can play a part in dooming his or her follow-up project. > >“I wonder if the people working with the director — producers and writers and actors — are over-awed and therefore less willing to question his/her judgment because his/her auteurist brilliance has been validated by the industry’s highest award,” he said. “Back in the studio days, a mogul could tell the director on the payroll the film was too long and he needed to cut 25 minutes. And that was that. Who today would have the stones to say that to Martin Scorsese or Christopher Nolan?”