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Today I attempted the Immersion Composition Society's challenge of writing 20 songs in 12 solid hours of work. (See Karl Coryat's excellent "The Frustrated Songwriter's Handbook" for all the details).

It was way more challenging than I expected. I didn't make twenty songs.

But I *did* get fourteen songs out of the day that I wouldn't have written otherwise. That's a major win for me - and the equivalent of doing #FAWM in a single day.

🎉🎸 Shout out to all the fawmers who created 13,500+ songs this FAWM, once again exceed "FAWM escape velocity!" 🎶💥

It's also Bandcamp Friday — and while the "Ukulelecorn" shirt sold out quickly, you can still grab some stickers and other treasures over at the FAWM Bandcamp store. Today, 100% of the proceeds go to support FAWM. 🤘

fawm.bandcamp.com

And be sure to explore the #fawm tag on Bandcamp to discover more FAWM-born releases by fellow fawmers!

Continued thread

If you like the song I posted above, you can download it with the little down arrow button to the right of the play button.

But do it soon because the #FAWM site will be taken offline and go dormant in a couple of weeks until it opens up again next year with a clean slate.

During the February Album Writing Month there are a lot of challenges, prompts, collaboration opportunities and games to help fuel creativity to get some songwriting done.

I did one that I knew was going to push me WAY out of my comfort zone. I signed up for a four person, a cappella challenge where I was randomly placed with a lyricist and three other vocalists.

It turned out way better than i possibly could have imagined. While it is a little pitchy in places, it's still quite beautiful. It sounds like a church hymn. Well, that is if your sacred space... if your church is out in nature. It's a song about birdies!!!

Hope you like it and it brings a little joy to your Sunday.
#fawm #harmony #acappella #SundaySinging

write.fawm.org/songs/314376#c3

So the February Album Writing Month ended this morning at 0600 because that's when Feb ended for GMT time.

So I made one final push to get one more song. Can't believe i did it. I think I started at midnight and finished about 1:30am. It ain't pretty, it's a simple I-IV-V song, it's one take into a couple of mics and rather unpolished BUT!... it made for a respectable #FAWM this year.

Tah dahhhh.

#songwriting #SongwritingChallenge

write.fawm.org/songs/317409

re: last boost from @FlyoverIndies

Last night I got us caught up uploading our paranormal mall tracks to the #FAWM page -- and we (collectively) made it! I added two WIP's of mine at the end so we'd get all 14 songs in by the deadline.

That boost is a big ol' thread of everything we added last night--long, but worth perusing imo!

You can also just go to our FAWM page ans listen to all 14!

write.fawm.org/@flyoverindies

write.fawm.orgFlyover IndiesWe're a community of game developers, designers, coders, artists, and musicians based in the Midwest USA. This year we're working on a collaborative album -- a soundtrack for an imaginary survival horror/adventure game set in an abandoned mall!

ok, I guess it's time to wrap #FAWM for this year. It was a hard, but very satisfying month of songwriting and musicking. Time for me to go to sleep, and tomorrow I will do some regular singing practice again; I've been neglecting that. There are some songs that I still want to record, but apart from that, I think I might need a few days of rest from composing.

Der FAWM 2025 geht heute leider schon zuende. Ich habe im Verlauf der 28 Februar-Tage 5 Songs/Songskizzen geschrieben, womit ich sehr zufrieden bin.
Für meinen letzten Song-Entwurf habe ich mich heute in eine leichte Hypnose versetzt. Dann hab ich mich an meiner Gitarre festgehalten und Lyrics gesungen, die von irgendwoher kamen.

Also eigentlich genauso, wie wenn ich sonst ein Lied schreibe :)

00:00/02:13

I think I've done all I'm going to do musically for #FAWM this year. I managed a double FAWM and wrote 28 songs in 28 days...

write.fawm.org/@headfirstonly

write.fawm.orgChris HarrisI'm an old dude who is absolutely obsessed with music and trying to create tracks that teenage me would have loved. That's it, pretty much. Anything else that happens is a bonus. Some of the bonuses recently have been pretty darn special. This is me, sitting at Peter Gabriel's SSL mixing desk in The Big Room at Real World Studios. https://www.headfirstonly.com/images/Chris_Real_World_big.jpg This is FAWM number 16 for me. I've been playing a range of musical instruments (mainly electric guitar, bass, and keyboards) for five decades now and I've been making home recordings since I was a teenager. FAWM inspired me to try my hand at using a DAW and I fell down the rabbit hole in a big way; I've been an Ableton user since version 8. Oh, and these days I have a side hustle as a front-of-house sound engineer, which has taught me a LOT of unexpected things about mixing and working with live sound. I have a music page on my website with my discography, gear list, and much more besides: https://www.headfirstonly.com/about_music.htm I'm one third of the band ICH: https://ichmusik.bandcamp.com/album/wir-sind-ich My influences are many and varied, and are listed here: https://www.headfirstonly.com/about_groups.htm How I ended up sitting in Peter's chair at Real World: https://www.headfirstonly.com/blog0724.htm#Jul_17_24 I also occasionally stream on Twitch: https://www.twitch.tv/headfirstonly My game plan here? There will be #noAI, because where's the fun (or sense of achievement) to be gained from handing off the work to a machine? I just know that I will be focused on enjoying the journey and the music made by my fellow human travellers. "Leonard Cohen meets prog" - PROG Magazine "The Bob Ross of prog metal" - ductapeguy Chris Harris (he/him/HFO)