Angry Metal Guy<p><a href="https://www.angrymetalguy.com/carcharodon-and-cherds-top-tenish-of-2024/" rel="nofollow noopener" target="_blank">Carcharodon and Cherd’s Top Ten(ish) of 2024</a></p><p><i>By Carcharodon</i></p><p><strong></strong></p><p><strong><span>Carcharodon</span></strong></p><p>I’ve been writing here since 2018. This has been the hardest year to date. I feel like I say this every year right around this time but, for whatever reason, I’ve really struggled this year to find the motivation and inspiration to write. Indeed, I’ve often felt that I lacked the passion for the music. Rather than exploring the murkier depths of Bandcamp, I was often to be found in the company of old, non-metal friends like <strong>Nick</strong> <strong>Cave</strong>, <strong>16 Horsepower</strong> and <strong>Tom Waits</strong>.</p><p>Despite my disappointment with the world, most of which is on literal or metaphorical fire, and my disillusionment with people, whose choices have caused most of that, there were bright glimmers. The phenomenal response to our <a href="https://www.angrymetalguy.com/kenstrosity-needs-our-help-after-losing-home-in-hurricane-helene-related-flooding/" rel="nofollow noopener" target="_blank">Gondor-esque call for aid</a>, when <span><strong>Kenstrosity</strong></span>‘s life was ripped apart by Hurricane Helene, reassured me there are still a few good people out there, a good number of whom read this blog.</p><p>Still, I managed to turn out a few reviews this year, including my first ever 5.0—more of which below—which was worth it for the <span><strong>Steel</strong></span> Ire it evoked alone. And there was the <a href="https://www.angrymetalguy.com/category/blog-posts/amg-turns-15/" rel="nofollow noopener" target="_blank">Fifteenalia</a>, a celebration the like of which we will not see again (for obvious reasons), which I had the honour of steering from questionable inception to creaky delivery.</p><p>Ironically, despite my struggles on the writing front, This Place has played a significant part in keeping me sane. It’s been tolerable to welcome a few new staffers—some even raised up from the awful Place Below—to our serried ranks, while the older hands feel almost like family at this point, with everything that that entails. As ever, particular thanks go to <strong><span>Steel Druhm</span> </strong>for his tireless intimidation, which just about keeps us honest, while <span><strong>Dolph</strong></span>, <span><strong>Dear Hollow</strong></span>, <span><strong>El Cuervo</strong></span>, <span><strong>Grier</strong></span>, <span><strong>Maddog</strong></span>, <span><strong>Sentynel</strong></span> and <strong><span>Thus Spoke</span></strong>, among others, have proved adequate companions for banter and gigs.</p><p>And with that, I wish you all the happiest of Listurnalias.</p> <p>#ish. <strong>Pillar of Light </strong>// <a href="https://www.angrymetalguy.com/pillar-of-light-caldera-review/" rel="nofollow noopener" target="_blank"><em>Caldera</em></a> – A very late entry to this list, <strong>Pillar of Light </strong>should be a cautionary tale to bands and labels: release your shit earlier! With more time, the stunning <strong>Amenra</strong>-meets-<strong>Cult of Luna </strong>post-misery of <em>Caldera </em>could easily have placed in the top half of this list. While I know this is an album I will come to love and fully expect to regret not placing it higher here, the reality is that other entries have had longer to sink their hooks into me. I will just say that, for me, the apparently divisive vocals are a perfect fit for <strong>Pillar of Light</strong>’s style.</p><p>#10. <strong>Seth</strong> // <a href="https://www.angrymetalguy.com/seth-la-france-des-maudits-review/" rel="nofollow noopener" target="_blank"><em>La France des Maudits</em></a> – Way back when,<a href="https://www.angrymetalguy.com/carcharodon-and-cherds-top-tenish-of-2024/#fn-207473-1" rel="nofollow noopener" target="_blank">1</a> French black metallers <strong>Seth </strong>snuck onto my list of Honorable Mentions with <em>La Morsure du Christ</em>, a fantastic return to form after a lengthy absence. After a short gap, they’re back and this year’s <em>La France des Maudits </em>has cracked the list proper. Melodic, bordering on symphonic with the keys and choral arrangements, but also visceral and feral, <strong>Seth </strong>dropped an absolute banger. It doesn’t hurt that, as <span><strong>Thus Spoke </strong></span>pointed out in her review, it’s “downright impressive how rich and dynamic this sounds.”</p><p>#9. <strong>The Vision Bleak</strong> // <a href="https://www.angrymetalguy.com/the-vision-bleak-weird-tales-review/" rel="nofollow noopener" target="_blank"><em>Weird Tales</em></a> – <strong>The Vision Bleak </strong>is not, to paraphrase <span><strong>Dr Grier</strong></span>, a band that has ever ‘got’ me. Or perhaps, <em>I’ve</em> never got them. But <em>Weird Tales </em>resonated with me enormously. And perhaps that’s because it’s not really like anything <strong>The Vision Bleak</strong> has done before. Structuring their gothic black metal (or should that be blackened goth metal?) into a single, flowing song (albeit one broken into parts) got my attention. But they held my attention because they<b> </b>actually managed to pull off this very-hard-to-execute vision. <em>Weird Tales</em>’ <strong>Type O Negative </strong>/ <strong>Moonspell</strong>-inspired blackened sound clicked into place almost instantly for me and now I need to go back to <strong>TVB</strong>’s discography with newly-opened eyes.</p><p>#8. <strong>Necrowretch</strong> // <a href="https://www.angrymetalguy.com/necrowretch-swords-of-dajjal-review/" rel="nofollow noopener" target="_blank"><em>Swords of Dajjal</em></a> – The first 4.0 I delivered in an alarmingly high-scoring year, <strong>Necrowretch</strong>’s black-death fusion is something that I have returned to again. Hiding beneath the vicious, downright <em>nasty </em>surface of <em>Swords of Dajjal</em>, is a surprisingly subtle and well-crafted concept album. As I said in my review, there is zero bloat or filler on this record, which blazes with intensity, driven as much by the scything, razor-sharp riffs as the rasping, sepulchral vocals. The range of influences cited, both by me and by impressed commenters, shows how many different aspects there are to this killer record.</p><p>#7. <strong>Panzerfaust</strong> // <a href="https://www.angrymetalguy.com/panzerfaust-the-suns-of-perdition-chapter-iv-to-shadow-zion-review/" rel="nofollow noopener" target="_blank"><em>The Suns of Perdition – Chapter IV: To Shadow Zion</em></a> – After <em>Chapter III: The Astral Drain</em>, I was worried that <strong>Panzerfaust </strong>were running out of steam and inspiration to close out <em>The Suns of Perdition </em>saga. Thankfully, my concerns were misplaced. <em>To Shadow Zion </em>reeks of doom and destiny. Huge, brooding and intense, it is a captivating listen, with the stunning “The Damascene Conversions” sitting at its heart. From the sulfuric vocals to the masterful drumming, this was a worthy final chapter for <em>The Suns of Perdition</em>, which must go down as one of the best executed, most consistent multi-album concept pieces in metal.</p><p>#6. <strong>Spectral Wound</strong> // <a href="https://www.angrymetalguy.com/spectral-wound-songs-of-blood-and-mire-review/" rel="nofollow noopener" target="_blank"><em>Songs of Blood and Mire</em></a> – <strong>Spectral Wound </strong>just can’t miss. For a band that, superficially at least, plays fairly old school black metal, songwriting chops paired with brilliant execution mean these guys are anything but derivative. My favourite album of theirs to date, <em>Songs of Blood and Mire </em>is just tons of wicked, nasty fun. It’s hard to say exactly why, but I feel like everything <strong>Spectral Wound </strong>does has a slight knowing wink to it, which suggests that the band doesn’t take itself too seriously. For me, this is a huge positive, as a lot of black metal is so tediously earnest, where this is unflinchingly harsh, surprisingly melodic and drowning in swaggering groove. Great stuff.</p><p>#5. <strong>Mother of Graves</strong> // <a href="https://www.angrymetalguy.com/mother-of-graves-the-periapt-of-absence-things-you-might-have-missed-2024/" rel="nofollow noopener" target="_blank"><em>The Periapt of Absence</em></a> – I’m a sucker for death doom. And <em>The Periapt of Absence </em>is some fucking great death doom. <strong>Mother of Graves </strong>were unknown to me before I stumbled across this album but their blending of old school <strong>Opeth </strong>(think somewhere between <em>Morningrise </em>and <em>Orchid</em>) with early <strong>Katatonia</strong> and <strong>Paradise Lost</strong>, plus a sprinkling of <strong>Clouds </strong>is stunning. All wrapped up in a pleasingly tight package, <strong>Mother of Graves </strong>smother the listener in unflinching, heartwrenching misery. And I love every minute of it. It’s that Peaceville Three sound we love, but feeling fresh, vibrant and vital.</p><p>#4. <strong>Devenial Verdict</strong> // <a href="https://www.angrymetalguy.com/devenial-verdict-blessing-of-despair-review/" rel="nofollow noopener" target="_blank"><em>Blessing of Despair</em></a> – Me and death metal don’t always see eye to eye, and the last <strong>Devenial Verdict </strong>left only a passing impression. But <span><strong>Thus Spoke</strong></span>‘s tireless <del>tongue-bathing</del> promotion of <em>Blessing of Despair </em>convinced me to give it a chance. While I enjoy the stomping thuggery of <strong>Devenial Verdict</strong>’s dissonant death well enough, it’s the sudden mood swings into what <span><strong>TS</strong></span> described as “lethally graceful restraint” that really hooked me. Although worlds apart stylistically, on <em>Blessing of Despair </em><strong>DV </strong>achieved what <strong>Chained to the Bottom of the Ocean</strong> did on <em>Obsession Destruction</em>: knowing precisely how far to push the suffocating, claustrophobic heaviness, before taking their foot off your throat for a minute. Then stamping on it again.</p><p>#3. <strong>Julie Christmas</strong> // <a href="https://www.angrymetalguy.com/julie-christmas-ridiculous-and-full-of-blood-review/" rel="nofollow noopener" target="_blank"><em>Ridiculous and Full of Blood</em></a> – <span><strong>Maddog </strong></span>predicted that I would lambast him as an underrating bastard for the 3.5 he deigned to award Ms <strong>Christmas</strong>. And he was quite correct. He’s a charlatan of the highest order. However, even I’m surprised by how high <em>Ridiculous and Full of Blood </em>has landed here. But, as someone not given to overly emotional reactions to music, I’m continually stunned by the reactions <strong>Julie</strong>—Can I call you Julie? No? Ok—extracts from me. I’m often on the edge of tears by the end of “The Lighthouse,” just like that cad <span><strong>Maddog</strong></span>, while the likes of “Not Enough” and “End of the World” (the latter with <strong>CoL</strong>’s Johannes Persson) have a scary edge to them, with <strong>Christmas </strong>at her maniacal, crooning, possessed, unpredictable best.</p><p>#2. <strong>A Swarm of the Sun</strong> // <a href="https://www.angrymetalguy.com/a-swarm-of-the-sun-an-empire-things-you-might-have-missed-2024/" rel="nofollow noopener" target="_blank"><em>An Empire</em></a> – Speaking of emotional responses, <strong>A Swarm of the</strong> <strong>Sun</strong>’s stripped back melancholy is right up there. If I say that <em>An Empire </em>is brighter and more uplifting than previous efforts <em>The Rifts </em>and <em>The Woods</em>, understand that this is a very relative statement. <em>An Empire </em>is drowning in sorrow and misery, and yet there is just a hint of brightness that shimmers and hovers around the edges, like a lunar halo. Slow and deliberate, haunting and cathartic, <strong>A Swarm of the Sun</strong>’s latest outing is just beautiful. End of. No discussion.<a href="https://www.angrymetalguy.com/carcharodon-and-cherds-top-tenish-of-2024/#fn-207473-2" rel="nofollow noopener" target="_blank">2</a></p><p>#1. <strong>Kanonenfieber </strong>// <a href="https://www.angrymetalguy.com/kanonenfieber-die-urkatastrophe-review/" rel="nofollow noopener" target="_blank"><em>Die Urkatastrophe</em></a> – Y’all know I dropped a 5.0 on <em>Die Urkatastophe</em>, so it’s no surprise to find it here, sitting pretty, atop my list. There’s not much more praise that I can heap on <strong>Kanonenfieber</strong>’s sophomore record than I already did in my review. For me, it has everything and is more than I dared hope for as a follow up to my beloved <em>Menschenmühle </em>(my album of the year for <a href="https://www.angrymetalguy.com/thekenwords-and-carcharodons-top-tenish-of-2021/#:~:text=%231.%20Kanonenfieber,is%20a%20masterpiece." rel="nofollow noopener" target="_blank">2021</a>). It is brutal and vicious (“Panzerhenker” and “Ausblutingsschlacht”), anthemic (“Der Maulwurf” and “Menschenmühle”) and more. Crafted—and yes, that is the correct word—with huge skill and attention to detail, it is the storytelling, based on original source materials, that elevates this record to the next level for me. And if you don’t speak German, or are simply not into narrative in your metal, just go bang your fucking head to “Gott mit der Kavallerie”!</p><p><strong>Honorable mentions</strong> In alphabetical order by band:</p><ul><li><strong>40 Watt Sun</strong> // <a href="https://www.angrymetalguy.com/40-watt-sun-little-weight-review/" rel="nofollow noopener" target="_blank"><em>Little Weight</em></a> – <em>Little Weight </em>actually carries a lot of emotional weight. Melancholic, beautiful post-doom and shoegaze, rife with a rough honesty.</li><li><strong>Anciients</strong> // <a href="https://www.angrymetalguy.com/anciients-beyond-the-reach-of-the-sun-review/" rel="nofollow noopener" target="_blank"><em>Beyond the Reach of the Sun</em></a> – Long-form (arguably too-long-form in some respects) progressive death, which is wonderfully ambitious and overblown in its scale and delivery.</li><li><strong>Crypt Sermon</strong> // <a href="https://www.angrymetalguy.com/crypt-sermon-the-stygian-rose-review/" rel="nofollow noopener" target="_blank"><em>The Stygian Rose</em></a> – Fantastic trad doom, channeling heavy doses of <strong>Candlemass</strong>. Early in the year, I thought this was top-5 material but it’s uneven, with the back half much stronger than the front, and I’ve cooled on it a touch.</li><li><strong>Nyktophobia</strong> // <a href="https://www.angrymetalguy.com/nyktophobia-to-the-stars-review/" rel="nofollow noopener" target="_blank"><em>To the Stars</em></a> – Just great, stomping melodeath. As I said in my review, it’s not massively original but it’s tight and well written, and easy to just kick back to. Sometimes, I don’t need more.</li><li><strong>Silhouette</strong> //<a href="https://www.angrymetalguy.com/silhouette-les-dires-de-lame-review/" rel="nofollow noopener" target="_blank"><em> Les Dires de l’Âme</em></a> – This fantastic post-black album had a place on the list proper until <strong>Pillar of Light </strong>bulldozed its way in there <em>very</em> late in the day. Haunting, harrowing and beautiful, <strong>Silhouette</strong>’s debut is Great!</li><li><strong>Sumac</strong> // <a href="https://www.angrymetalguy.com/sumac-the-healer-review/" rel="nofollow noopener" target="_blank"><em>The Healer</em></a> – Nothing about <em>The Healer </em>makes it an easy listen but <strong>Sumac’s </strong>fifth record is curiously beautiful for all its wandering, free-form abrasiveness.</li><li><strong>Vorga</strong> // <a href="https://www.angrymetalguy.com/vorga-beyond-the-palest-star-review/" rel="nofollow noopener" target="_blank"><em>Beyond the Palest Star</em></a> – While it’s hard to disagree with <span><strong>Kenstrosity</strong></span>‘s criticism of the production on <em>Beyond the Palest Star</em>, what can I say? I still love it. It’s chunky, well written, well paced and powerful.</li></ul><p><strong>Surprises o’ the Year</strong> Ordered by most astounding first:</p><ul><li><strong>Opeth</strong> // <a href="https://www.angrymetalguy.com/opeth-the-last-will-and-testament-review/" rel="nofollow noopener" target="_blank"><em>The Last Will and Testament</em></a> – It’s been a long time since I was last genuinely interested in an <strong>Opeth </strong>album (2005’s <em>Ghost Reveries</em>, in case you were wondering). But, wouldn’t you just know it, Mikael Åkerfeldt and co are back (roars and all). I’m not ready to commit to a score for <em>The Last Will </em>(though I think <span><strong>El Cuervo</strong></span>‘s was possibly a smidge high) as I’ve not been able to spend enough time with it. But the fact I <em>want</em> to spend more time with it is, after 19 years of having no interest in <strong>Opeth</strong>’s output, a surprise. And a welcome one.</li><li><strong>Grand Magus </strong>// <a href="https://www.angrymetalguy.com/grand-magus-sunraven-review/" rel="nofollow noopener" target="_blank"><em>Sunraven</em></a> – Another Swedish favourite of old, which I’d all but given up on, <strong>Grand Magus </strong>roared back this year with <em>Sunraven</em>. As an equally surprised <strong><span>Steel Druhm</span></strong> said in his review, this was the album he “feverishly hoped to get from <strong>Grand Magus</strong> … a grand return to prime form with the fire firmly back in the Balrog … the best <strong>Magus</strong> outing since 2012’s <em>The Hunt</em>”.</li></ul><p><strong>Disappointment o’ the Year</strong> Limited to a single <em>musical </em>disappointment, to avoid submitting a lengthy thesis:</p><ul><li><strong>Zeal & Ardor </strong>// <a href="https://www.angrymetalguy.com/zeal-ardor-greif-review/" rel="nofollow noopener" target="_blank"><em>GREIF</em></a> – I’m not angry, or even very surprised, just disappointed.<a href="https://www.angrymetalguy.com/carcharodon-and-cherds-top-tenish-of-2024/#fn-207473-3" rel="nofollow noopener" target="_blank">3</a> While I accept that this is the album of a band in transition, there’s no getting away from the fact that it was a hugely disappointing album from a band that has abandoned the sound that made it what it was. And for what? They have not transitioned to something new and exciting, but with kinks to be worked out. Rather, on this record, <strong>Zeal & Ardor </strong>became something so pedestrian that any number of post-rock bands could’ve written it and, probably, done a better job. I may have overrated it.</li></ul><p><strong>Songs o’ the Year</strong></p> <ol><li><strong>Julie Christmas</strong> – “The Lighthouse”</li><li><strong>Kanonenfieber</strong> – “Der Maulwurf”</li><li><strong>Selbst</strong> – “The Stench of a Dead Spirit”</li><li><strong>Panzerfaust </strong>– “The Damascene Conversions”</li><li><strong>Kanonenfieber </strong>– “Gott mit der Kavallerie”</li><li><strong>Devenial Verdict </strong>– “Garden of Eyes”</li><li><strong>Spectral Wound </strong>– “Aristocratic Suicidal Black Metal”</li><li><strong>Silhouette </strong>– “Les Dires de l’Âme”</li><li><strong>Blue Heron</strong> – “Everything Fades”</li><li><strong>Zeal & Ardor </strong>– “Hide in Shade”</li><li><strong>Glare of the Sun</strong> – “Rain”</li></ol> <p><strong><span>Cherd</span></strong></p><p>Twenty-twenty-four was certainly a year that followed previous years and will precede still others. When I look back, I’ll likely remember it as the year I discovered the wonders of ADHD medication after decades of non-treatment, the difficult transition my poor Cherdlet experienced from kindergarten to first grade, and the incredible bucket list trip my wife and I took to Toronto to watch our favorite TV franchise filming new content courtesy of my very important Hollywood connections. No, not Robert Downey Jr. Much more important and better-looking. Hmm? Margot Robbie? She wishes. I also had the pleasure of meeting several of my fellow writers in person, and they are all much homelier than they let on with the exception of <span><strong>Madam X</strong></span>, who is a goddamned ray of sunshine.</p><p>On the musical front, I was able to check two bands off my “need to see live” list in <strong>Judas Priest</strong> and <strong>Archspire</strong>, whereby I discovered that Halford does exactly zero audience banter, and <strong>Archspire</strong> do nothing but. Fun shows, both. I didn’t listen to as much new music by volume this year than I have in previous years when I’d log between 200 and 400 releases, and that was largely due to my kid’s age and the level of interaction he needs. I have a feeling, however, that 2025 will see an uptick thanks to the new Heavys headphones I got for Christmas this year. As always, I want to thank the editors, particularly <span><strong>Steel Druhm</strong></span> and <span><strong>Doc Grier</strong></span>, for not sending me a mailbomb after all the late reviews I turned in (I’ll work on that in 2025), and the man himself, <span><strong>AMG</strong></span>, for building this community and for agreeing that <em>Deep Space Nine</em> is the best <em>Star Trek</em> show.<a href="https://www.angrymetalguy.com/carcharodon-and-cherds-top-tenish-of-2024/#fn-207473-4" rel="nofollow noopener" target="_blank">4</a></p> <p>(ish) <strong>Chat Pile</strong> // <a href="https://www.angrymetalguy.com/chat-pile-cool-world-review/" rel="nofollow noopener" target="_blank"><em>Cool World</em></a> – This is what it sounds like when <strong>Chat Pile</strong> make a “mature” record. As I noted in my October review, some of the most glaring weirdness and black humor the band is known for is missing in <em>Cool World</em>, which is why it’s here on my list instead of matching the lofty heights of my 2022 AOTY<a href="https://www.angrymetalguy.com/chat-pile-gods-country-review/" rel="nofollow noopener" target="_blank"><em> God’s Country</em></a>. That said, this is consistently bleak in a way I like, and it boasts what are in my opinion the two best–if not most <em>memorable</em>–songs the band have written to date in “New World” and “Masc.” I’m a sucker for these Oklahomans and look forward to how their sound evolves from here.</p><p>#10. <strong>Glacial Tomb</strong> // <a href="https://www.angrymetalguy.com/glacial-tomb-lightless-expanse-review/" rel="nofollow noopener" target="_blank"><em>Lightless Expanse</em></a> – I’ve had an up and <a href="https://www.angrymetalguy.com/contrite-metal-guy-its-beginning-to-look-a-lot-like-wrongness-volume-the-first/" rel="nofollow noopener" target="_blank">down</a> journey with <strong>Glacial Tomb</strong>’s sophomore record, but that doesn’t mean I don’t still view this as one of the best things I’ve listened to this year. To consider a record this closely means you have to listen to it a lot, and I wouldn’t be surprised if I logged more hours with <em>Lightless Expanse</em> than with any other album. I’ve made a big deal about the one-three punch of “Voidwomb/Enshrined in Concrete/Abyssal Host”, but it bears repeating since it’s my favorite consecutive stretch of death metal in 2024.</p><p>#9. <strong>Replicant</strong> // <a href="https://www.angrymetalguy.com/replicant-infinite-mortality-review/" rel="nofollow noopener" target="_blank"><em>Infinite Mortality</em></a> – If you peel back the veneer of disso-death and blackened blasts on <em>Infinite Mortality</em>, you’ll find a pounding hardcore heart comprised of equal parts beatdown and <strong>Converge</strong>. As technical as this music gets, and there is <em>a lot</em> going on here, <strong>Replicant</strong> never forget their primary duty as a metal band: snapping necks. On their third album, they’ve exquisitely composed a missive to unbridled aggression. I completely missed their previous albums, so I’m glad our <span><strong>Kenfren </strong></span>wouldn’t shut his excitable yap about this one.</p><p>#8. <strong>Spectral Voice</strong> // <a href="https://www.angrymetalguy.com/spectral-voice-spargamos-review/" rel="nofollow noopener" target="_blank"><i>Sparagmos</i></a> – “Alright skaters! This is the end of our free skate period. We’d like to once again thank you for spending your Saturday with us here at Family Fun Roller Rink and Arcade. It’s time to slow things down, down, way down, and you know what that means. That’s right, it’s couples’ skate. So, find that special someone you want to be interred on a cold stone slab with, gaze into each other’s empty eye sockets, and make your way around the rink as wave after wave of <strong>Spectral Voice</strong>’s death/funeral doom forcefully separates you from any light, hope, or happiness this wretched world might have accidentally given you. Remember, those who survive the next 45 minutes of tectonic plates colliding will get the chance to compete in roller limbo!”</p><p>#7. <strong>Crypt Sermon</strong> // <a href="https://www.angrymetalguy.com/crypt-sermon-the-stygian-rose-review/" rel="nofollow noopener" target="_blank"><em>The Stygian Rose</em></a> – Despite being one of the biggest doom apologists on this site, <strong>Crypt Sermon</strong> failed to grab me with their highly acclaimed debut nearly ten years ago. I chalk this up to my unfamiliarity with the traditional doom style at the time. In recent years, I’ve binged large amounts of <strong>Candlemass</strong>, <strong>Saint Vitus</strong>, <strong>Cathedral</strong>, <strong>Solitude Aeturnus</strong> et al., so I finally have the frame of reference to see just how well <strong>Crypt Sermo</strong>n’s third LP captures the swagger, majesty, and grit of a style few contemporary bands seem interested in playing. After the growing pains displayed on <em>The Ruins of Fading Light</em>, these Philly natives have worked out the kinks and delivered an air-tight slab of doomy goodness.</p><p>#6. <strong>Full of Hell</strong> // <a href="https://www.angrymetalguy.com/full-of-hell-coagulated-bliss-review/" rel="nofollow noopener" target="_blank"><em>Coagulated Bliss</em></a> – I regret waiving my seniority claim to <strong>Full of Hell</strong> releases, thus allowing <span><strong>Dolph</strong></span> to snap up review duties for <em>Coagulated Bliss</em>. It’s not that he did a bad job of reviewing the prolific experimental grind outfit’s latest. He did great, and he awarded it a deserved 4.0. But then he had the cheek, the nerve, the gall, the audacity, and the gumption to incorrectly <a href="https://www.angrymetalguy.com/contrite-metal-guy-its-beginning-to-look-a-lot-like-wrongness-volume-the-second/" rel="nofollow noopener" target="_blank">lower his score</a>. To make matters worse, it appeared nowhere on his year-end list. Not even a goll dern honorable mention. I’ve told him to his cetacean face that he’s wrong and I’m likely to do so again because this is <strong>Full of Hell</strong>’s best work since <em>Trumpeting Ecstasy</em>. In fact, it might be better.</p><p>#5. <strong>Ulcerate</strong> // <a href="https://www.angrymetalguy.com/ulcerate-cutting-the-throat-of-god-review/" rel="nofollow noopener" target="_blank"><em>Cutting the Throat of God</em></a> – For most of their existence, Ulcerate was a highly acclaimed band that I just couldn’t get into. That changed four years ago with the release of <em>Stare into Death and Be Still</em>. Little changed in their intricate approach to dissonant death metal, but there was something warmer and more human to what I had previously considered a rather detached style. That trend continues with <em>Cutting the Throat of God</em>. I find this record best when taken as a whole, letting the experience unfold over the full runtime, like dream-walking through a hedge maze or being trapped in a velvet sack and discovering it’s much larger on the inside.<a href="https://www.angrymetalguy.com/carcharodon-and-cherds-top-tenish-of-2024/#fn-207473-5" rel="nofollow noopener" target="_blank">5</a></p><p>#4. <strong>Thou</strong> // <a href="https://www.angrymetalguy.com/thou-umbilical-review/" rel="nofollow noopener" target="_blank"><em>Umbilical</em></a> – I waited a long time for a chance to review a new record by <strong>Thou</strong>, and when it finally came, they did not disappoint. As I said in my June review, “Like their chimerical American metal brethren<strong> Inter Arma</strong>, it doesn’t matter how many influences the band stuff into one album. They are all unified in sound under <span><strong>Thou</strong>’s banner</span>. Bryan Funck’s acid-bit vocals are unmistakable and apparently unchangeable after 20 throat-shredding years. Also unchangeable? <strong>Thou</strong>’s ability to craft the most metallic-sounding guitar tone out there. As the standard bearer for…hell, as the entire sum of the second generation of Louisiana sludge, the sound they’ve forged isn’t the kind of sloppy muck you may associate with the term. It’s certainly thick, but it has a quality like two enormous steel I-beams violently striking each other.” If that doesn’t sell <em>Umbilical</em> for you, then here is where our paths diverge.</p><p>#3. <strong>Devenial Verdict</strong> // <a href="https://www.angrymetalguy.com/devenial-verdict-blessing-of-despair-review/" rel="nofollow noopener" target="_blank"><em>Blessing of Despair</em></a> – I didn’t listen to <em>Blessing of Despair</em> for several weeks after it came out in October despite the fact <strong>Devenial Verdict</strong>’s previous record, <em>Ash Blind</em>, made my year-end list in 2022. When I finally got around to it earlier in December, it threatened to blow the doors right off my still nebulous list, climbing fast and high until ultimately landing here at number three. There is more immediacy than on <em>Ash Blind</em>, which took me a while to warm up to. That doesn’t mean the band skimps on the kind of thoughtful transitions and atmospherics they’ve come to be known for. It’s just that <em>Blessing of Despair</em> HAZ THE RIFFS, including my favorite death metal riff of the year in “Solus.”</p><p>#2. <strong>Void Witch</strong> // <a href="https://www.angrymetalguy.com/void-witch-horripilating-presence-review/" rel="nofollow noopener" target="_blank"><em>Horripilating Presence</em></a> – When I revisited <em>Horripilating</em> Presence with the purpose of sorting out this list’s pecking order, I expected death-doomers <strong>Void Witch</strong> to fall mid-to-late top 10. Obviously, the opposite happened. For the life of me I don’t understand how this album didn’t gain more traction amongst the other writers and you, the unwashed commentariat. As I said back in July, “…the material on <em>Horripilating Presence</em> is Mohamed Ali levels of confident. The editing of ideas in each song and across the album’s taut 39 minutes is masterful, especially for a debut. No song hews too closely to any of the others, but all are of a piece, locking comfortably into place like an intricate puzzle box, and <strong>Void Witch</strong> have such sights to show you.”</p><p>#1. <strong>Inter Arma</strong> // <a href="https://www.angrymetalguy.com/inter-arma-new-heaven-review/" rel="nofollow noopener" target="_blank"><em>New Heaven</em></a> – <strong>Inter Arma</strong> never miss. Aside from being one of the best live acts in metal, every album they’ve released going back to 2013’s <em>Sky Burial</em> has been one successful evolution after another. As a very wise reviewer once said, “They’re the same shaggy beast as ever, but beneath that matted, coarse coat is a rippling form mid-shape shift, stretching, pulling, and crossing back on itself constantly over the course of<em> New Heaven</em>’s shockingly concise 42 minutes…If being all over the musical map sounds like a negative, you’ve probably never heard an<strong> Inter Arma</strong> record before. It seems whatever they throw at the wall sticks, and the listening experience across their (usually much longer) records never feels uneven. This is because they play everything with the same smoldering intensity and volatile mean streak.” What a record.</p><p></p><p><strong>Honorable Mentions:</strong></p><ul><li><strong>Convulsing</strong> // <a href="https://www.angrymetalguy.com/convulsing-perdurance-things-you-might-have-missed-2024/" rel="nofollow noopener" target="_blank"><em>Perdurance</em></a> – I like this quote from <span><strong>Dear Hollow</strong></span>‘s review, so I’ll let him do the talking: “…<strong>Convulsing</strong> explores every nook and twist of a rhythm and melody until its inevitable conclusion is happened upon in tragic and fatal fashion.”</li><li><strong>Spectral Wound</strong> // <a href="https://www.angrymetalguy.com/spectral-wound-songs-of-blood-and-mire-review/" rel="nofollow noopener" target="_blank"><em>Songs of Blood and Mire</em></a> – Pound for pound, <strong>Spectral Wound</strong> are probably the most consistent no-frills black metal band currently in operation. <em>Songs of Blood and Mire</em> is another rager that’s as melodic as it is acidic.</li><li><strong>Lord Buffalo</strong> // <a href="https://www.angrymetalguy.com/lord-buffalo-holus-bolus-review/" rel="nofollow noopener" target="_blank"><em>Holus Bolus</em></a> – This record was one redundant instrumental away from landing higher on this list. Looking forward to where these gothic country rockers go next.</li></ul><p><strong>Songs o’ the Year:</strong></p><p>In alphabetical order by band: </p><p><a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/2024/" target="_blank">#2024</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/40-watt-sun/" target="_blank">#40WattSun</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/a-swarm-of-the-sun/" target="_blank">#ASwarmOfTheSun</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/anciients/" target="_blank">#Anciients</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/blog-posts/" target="_blank">#BlogPosts</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/blue-heron/" target="_blank">#BlueHeron</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/carcharodon-and-cherds-top-tenish-of-2024/" target="_blank">#CarcharodonAndCherdSTopTenIshOf2024</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/chat-pile/" target="_blank">#ChatPile</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/convulsing/" target="_blank">#Convulsing</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/crypt-sermon/" target="_blank">#CryptSermon</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/devenial-verdict/" target="_blank">#DevenialVerdict</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/full-of-hell/" target="_blank">#FullOfHell</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/glare-of-the-sun/" target="_blank">#GlareOfTheSun</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/grand-magus/" target="_blank">#GrandMagus</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/inter-arma/" target="_blank">#InterArma</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/julie-christmas/" target="_blank">#JulieChristmas</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/kanonenfieber/" target="_blank">#Kanonenfieber</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/listurnalia/" target="_blank">#Listurnalia</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/lord-buffalo/" target="_blank">#LordBuffalo</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/mother-of-graves/" target="_blank">#MotherOfGraves</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/necrowretch/" target="_blank">#Necrowretch</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/nyktophobia/" target="_blank">#Nyktophobia</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/opeth/" target="_blank">#Opeth</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/panzerfaust/" target="_blank">#Panzerfaust</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/pillar-of-light/" target="_blank">#PillarOfLight</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/replicant/" target="_blank">#Replicant</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/selbst/" target="_blank">#Selbst</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/seth/" target="_blank">#Seth</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/silhouette/" target="_blank">#Silhouette</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/spectral-voice/" target="_blank">#SpectralVoice</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/spectral-wound/" target="_blank">#SpectralWound</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/sumac/" target="_blank">#Sumac</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/the-vision-bleak/" target="_blank">#TheVisionBleak</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/thou/" target="_blank">#Thou</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/ulcerate/" target="_blank">#Ulcerate</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/void-witch/" target="_blank">#VoidWitch</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/vorga/" target="_blank">#Vorga</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/zeal-ardor/" target="_blank">#ZealArdor</a></p>